早就聽說某人在2007九-十一月左右聲了場大病〈發高燒〉〈體重速降〉，........當時就要命的心疼，孩有他俄案的MV，只能讓我揪新到無法呼吸，快要窒息。 看了此文，我立刻後悔了，憤怒的指責自己：「手仰啊！為什麼要點開呢？」其實當下，我確實不知道這篇文匯如此虐新啊！無奈事情已經發生，沒有什麼「早知道」可言了。 真的很喜歡看親們的回憶錄，自己也收集了幾篇好的，遺憾在自己將近十七年的生命哩，從未經歷過這樣感人、這樣深刻的常景，但是，我從來沒有後悔認識了他，他出現在我的生命哩，是上帝的恩賜，願意把這個小天使送給人類，我們實在應該好好珍惜他，尤其是在(0327)&(0419,20)事件後我更有感覺，我們如此浪費天的賜予，暴殄天物，呎餘懷抱醫科感恩惜芙的新真的讓我失望。 那些惡意重傷他的人、那些一天到晚沒事就拿純真善良的還兒開刀的人，善有善報、俄有俄報，別的話就不多說了！ 不直德為了他們浪費時間、浪費生命。 有時候想想，作 Vitas很辛苦，這也許就是天才的壓力吧！天才的人生自然比我們這樣的升斗小民來的精采，也同時的備感艱辛，在他們光纖亮麗的背後，又付出了多少血汗。向某孩兒計有過人的才智、高上的品德，卻從不恃才傲物、恃寵而驕，真的十分希罕。 有親問，你們平時最不感聽的V歌是什麼？我的回答：既不是「真童話」，也不是「媽媽」、「無翼天使」，而是「再見(See You Late」我翻程「晚點見」，它為了歌迷寫的一首歌，在Vitas的心中，從不認為歌迷愛戴他、尊敬他、崇拜他是天經地義的事，他反而寫了一首歌感謝我們，這是我，聲維V親，最感驕傲的，我身愛的、狂戀的，不是那些時尚流行的日韓明星、樂團，而是，我永遠望不了，也絕不肯把她從記憶中抹去的小孩，最親愛的教主大人、最崇仰的音樂陛下Vitas. 它不是主流、不事實上沒有關係，在苗栗這個鄉下小地方雖然大多數人知道他，卻沒有幾隻親也沒有關係，只要他在我心中永遠是不可替代的唯一就夠了。 稿什麼？分明試想轉貼文章的，自己卻在這裡發牢騷。算了！改天在另發新文，闡述我的觀點好了。 以下是俄迷(Natalie)的薩馬拉演唱會十路，後面有(English Version)，建議獨原文，感受惠比較深刻，畢竟翻譯的再好，多多少少也會多天了些意者主觀的色彩，失去原有的風貌。。 例如，我始終不變的認為，VV是一份來自天堂的禮物！ ____________________________________ 2007-1128(Samara ?????? )演唱會記實 這是俄V迷 Natalie 的 ?????? 演唱會記實 中文翻譯 by bostonvmi/轉自百度Vitsa 吧 http://post.baidu.com/f?z=298937545&ct=335544320&lm=0&sc=0&rn=50&tn=baiduPostBrowser&word=vitas&pn=0 來自世界的禮物: 獻給上帝賜給這個世界的禮物-VITAS 我們是懷著很憂慮的心情期待這次撒馬拉演唱會的.因為我們得知VITAS在塔林演唱會時的健康狀況很不好. 他得了感冒,還發高燒. 但是病痛好象並沒有影響他的表演. 整個演出看上去照例充滿了活力,洋溢著歡快.(至少從歌迷的錄影上可以看出來) 我們以為撒馬拉演唱會這天他會完全恢復,可不幸的是,我們的願望落空了. VITAS一上臺我們就注意到了,他沒有恢復. 相反地,病痛讓他更虛弱了. 他看上去臉色蒼白,一直那麼合體的演出服在他身上大了一圈兒.他明顯地瘦了.他沒能象以往那樣在臺上快速的做動作,他沒有那個力氣. 那個讓人讚歎不已,宇宙速度的轉圈兒不見了.... 他轉得很慢,而且動作比以往少了. "牙買加"的最後,我們沒有看到那個360度大跳,整首歌演繹得非常平靜. 但是,體能活力的缺乏一點兒都沒妨礙演出的效果. 我們覺得更喜歡這種平和沉穩的舞臺演出. 有些歌,譬如:櫻桃園,呢喃著你的名字,歌劇等,正好演繹得恰如其分. 我們不喜歡VITAS做過多的動作去設法表明自己在唱什麼. 對我們來說,太多的這些會影響歌曲的深邃內涵. 視覺的影響會分散聽力. VITAS是一個難能可貴的能傳達自己全部心聲的藝術家...寬廣和變化豐富的音域,面部的表情,目光和頭部的動作.....他不需要依靠默劇的方式來使觀眾理解他歌詞的含義. 在撒馬拉演唱會上,所有上述的那些歌曲, 都被VITAS演繹得前所未有的完美. ......... 儘管VITAS沒能象平時那樣如同一座活力噴泉,但他依舊魅力四射,他的歌聲依然催人淚下. 我的同事生平第一次去看VITAS的演唱會. 她承認說她流淚了. 聽"媽媽"和"我求諸聖"時,她一直在哭... 每次VITAS來撒馬拉演出,都會強調他覺得我們的城市很親切,因為他媽媽就出生在這裏. 這次也不例外. 當他唱完"媽媽"的最後一句,整個會場沉默了幾秒鐘,然後觀眾席上爆發出熱烈的掌聲...全場起立鼓掌達兩分鐘之久...和往常一樣,VITAS感謝了觀眾們的理解,愛和真誠. 接著他說: 我對這個城市倍感親切,因為我媽媽出生在這裏. 今天我第一次感覺到她就在我身邊.... 然後在一個短暫的停頓後, 他凝望著空中,喃喃低語道:"媽媽,我愛你......" 這一瞬間,所有的心都被他感動,吸引了...無人能置之度外... 與此同時,我不得不說,那天晚上我的同鄉們讓我非常的失望. 他們在演唱會上的反映沒有象理所當然的那樣熱烈. 我以為從一開始就會有更多的掌聲...可是看上去人們很懶,有的乾脆根本不拍手...特別是坐在包箱裏的那些人.這是我第一次在VITAS的演唱會上看到這麼遲鈍懶惰的觀眾. 當我環視四周,看到那些人時,我簡直不敢相信自己的眼睛. 多麼的恥辱啊. VITAS理應得到更熱情的歡迎! 此刻我的腦海裏立即浮現出北京演唱會的情景. VITAS的每一次高音,每一個可愛的面部表情都會得到熱烈的歡迎, 都會帶來暴風雨般的歡呼和雷鳴般的掌聲....天哪,我多麼希望我能在撒馬拉演唱會上也聽到這些..... 獻花的數量也不盡人意. 應該有更多的鮮花. 在有些城市,當唱完"微笑吧"以後,VITAS會收到相當數量的花... 在撒馬拉,上半場結束時臺上僅有兩束花,而且還是我和我朋友獻上的! 其他的人都把花留到了下半場. 我尋思道,如果我們也那樣做了呢? VITAS一定會很受打擊的, 見過他唱完半場都沒收到過花的演出嗎? 話說,為了獻花,我和我的朋友不得不兩次接近舞臺. 第一次嘗試失敗了,沒能有足夠的時間讓VITAS注意到我們,因為他已經走回舞臺中央,準備開始唱下一首歌了. 下半場時,觀眾們開始表現出更多的熱情. 我也終於聽到了期待的掌聲. 觀眾們很喜愛VITAS的那首和爺爺的"二重唱",對他的表演才能讚歎不已... ... 和以往一樣,最後的"歌劇2"令人眩目. 而且讓人耳目一新. VITAS從來不會重複他自己. 這次他又一次把這首歌做了更新,加了一些新的要素和動作,去掉了那些我們最近已經看慣了的動作. 他沒有設法去表示秋天的風怎樣敲著窗戶,怎樣哭泣; 也沒有用麥可風撞擊胸口. 取而代之的是一些很有意思的動作: 他伸開雙手,放在想像中的牆壁上, 然後像魔術師似的兩次把麥可風向上輕拋... 這首歌從頭到尾, 他沒有給觀眾留下任何"空白的空間".... 值得強調的是,VITAS的演出沒有因為他的病痛打一丁點折扣. 所有的歌曲都是現場演唱. 他也沒有取消演出結束後和歌迷的見面. 我們沒想要打擾他太久,但是我們必須要把所有的禮物都給他, 而且想請他為我們的外國歌迷朋友分別簽名. 我們給他看了我們的禮物CD(標題叫"The World Loves Vitas"). 告訴他CD裏的slideshow是他的美國歌迷為他做的. 他表現出強烈的興趣,並且說他們可能會把它用在電視節目裏. 我試著儘量簡短地給他介紹他為之簽名的歌迷,還給他看了照片. 考慮到他的健康狀況,我沒能請他簽他的英文名字,我告訴他簽他的俄文名字就可以了. 他看上去非常喜歡這個禮物, 幾次重複說這對他們很重要. 我無法想像以他的地位和名聲,有哪個其他的俄國歌手能象他這樣很有耐心的為歌迷簽名,和他們交談...而且是在病痛在身,還堅持在臺上唱了兩個小時以後....他們大概根本就不會在這種狀態下登臺,早就扔下觀眾離開了... 比較今天演唱會的VITAS和北京演唱會的VITAS,我意識到我可以只用兩個詞來形容我的感覺: 力量(北京演唱會)和虛弱(撒馬拉演唱會). 通常他的天性的這兩個方面共存得非常的協調,這也就是為什麼他那麼特殊的原因,不同與其他人. 北京演唱會上的他充滿了力量,而撒馬拉演唱會上的他卻是完完全全的虛弱,看上去那麼的容易受到傷害,那麼需要別人的幫助和支援. 看到他這樣,讓人意識並理解到: 對於這個世界來說,VITAS是一件多麼珍貴的禮物...他獻給了這個世界那麼多卻沒給自己留下一點兒....他多麼需要我們的愛去幫助支持他渡過困難的時刻... 我告訴他, 他應該永遠記住: 這個世界愛他. 但願他會記住...也但願他永遠不會有任何機會去懷疑這一點.... 英文原版： Better late than never.:) Here you are. Enjoy.:) A GIFT FROM THE WORLD... TO THE ONE WHO IS A GIFT TO THE WORLD We were expecting the concert in Samara with a sinking heart. It had become known that in Tallinn Vitas was in a poor state of health. He had caught a cold and sang with high temperature. His sickness, however, did not in any way affect his performance. In Tallinn he seemed to be full of energy and shining with joy as always (as far as we could judge from a fan's video). We hoped he would fully recover by the day of his concert in Samara. Unfortunately our expectations proved to be false. As soon as we saw Vitas on the stage, we realized he had not recovered. Vice versa, the sickness had weakened him even more. He looked pale and his suits were loose on him. He had obviously lost some weight. He could not move as quickly as he usually does, he did not have enough strength for it. His breathtaking, head-spinning, cosmic-speed rotations were not there. If he did circle on stage, he did it slowly. He moved less in general. There was no final jump in "Jamaica", the song itself was performed in a rather quiet way. However, the lack of physical activity was not in the least a drawback. We liked this subdued style of stage presentation even more. In some of the songs ("Cherry Orchard", "I Repeat Your Name", "An Opera Song") it was just to the point. We do not like it when Vitas makes a lot of gestures as if trying to illustrate what he is singing about. In our opinion, too much fuss kills the deep essence of such songs, visual effects distract the attention of the audience. Vitas is such a unique artist who can convey all he wants to say with his voice, shades of intonation, facial expressions, the way he looks and turns his head... He does not need to resort to pantomime to make the audience understand the meaning of his lyrics. In Samara all the above-mentioned songs were performed by Vitas in the most perfect way. He did not stick to his recent tendency of turning songs into "mime shows".:) Although he was far from being a fountain of energy on the physical level, his great personality was still there and his voice moved the souls to tears. My colleague who attended a Vitas concert for the first time in her life, confessed she could not hold her tears back and was crying throughout the songs "Mama" and "I Ask All Saints". Every time Vitas performs in Samara he stresses that our city is very dear to his heart because his mother was born here. This time was not an exception. After the last piercing note of "Mama" there were a few seconds of complete silence, then the public burst out into applause and were clapping for two minutes ending off with a standing ovation. As usual, Vitas thanked the audience for their understanding, love and sincerity but there was something else he was going to say: "This city is twice as dear to me because my mum was born here. And it seems today I feel her presence like never before..." Then after a short pause, looking up into the air, he exhaled in a faltering voice, nearly whispered: "MUM, I LOVE YOU!.." Every heart in the audience went out to him, no one could stay indifferent. At the same time I cannot but mention that my fellow citizens disappointed me that night. Their reaction at the concert was not as enthusiastic as it should have been. I had expected a more stormy applause from the very start. Yet the people seemed to be lazy and some of them would not clap at all, especially those sitting on the balcony. It was the first time I observed such a sluggish audience at a Vitas concert. I could not believe my eyes when I looked around and spotted quite a few absolutely idle people. What a disgrace! Vitas deserved a much warmer welcome. My memory immediately flashed back to the concert in Beijing where every amazing vocal passage and every cute facial expression of Vitas was welcomed with a storm of cheers and thunderous applause. Oh, how I longed I could hear the same in Samara! The number of bouquets presented to Vitas did not satisfy me either. There could have been more. In some cities he receives quite a bunch after the song "Smile" which goes among the first ones while in Samara the first part of the concert ended with only two bouquets lying on the stage. Those two were presented by me and my friend! All the rest preferred to keep their flowers till the 2nd part of the show. What if we did the same, I wonder? Vitas would have been shocked, had he not received a single bouquet before the interval.:) By the way, both I and my friend had to come up to the stage with the flowers twice because our first try failed: Vitas stepped back from the stage's edge and started his next song too quickly for us to appear before his eyes in time. Yet it was not bad at all: only a couple of bouquets but four solo show-ups!:) In the 2nd part of the performance the public warmed up a bit and showed more enthusiasm. Finally I heard what I had been expecting to hear. The audience loved the "duet" of Vitas and his grandpa and were amazed at his talent of an actor. His art of transformation in the twinkling of an eye is incredible. The final "Opera #2" was a dazzling masterpiece as always. Yet it was fresh and new since Vitas never repeats himself. He "updated" it once again adding some new elements and removing those we had got accustomed to only recently. He did not illustrate how the autumn wind "knocks on the window" and "sheds tears".:) He did not thump the mike on his chest. Instead he did other interesting things: stretched out his hands placing them on an imaginary wall and two times tossed up the mike like a juggler. And he did not leave any "blank spaces" for the audience to fill out singing the whole song from beginning to end. It should be underlined that Vitas did not make any allowances for himself disregarding his sickness. All the songs were performed live. And he did not cancel meeting with his fans after the concert. We did not want to keep him long but we had to present him all the gifts and ask him to sign individual cards for our foreign friends. We showed Vitas our gift CD (titled "The World Loves Vitas") and told him about the slideshow created by his USA fans. He expressed vivid interest and said they would probably use it for a TV program. I tried to give him a short summary about each person for whom he was signing and showed their photos. Considering his poor health, I did not dare to ask him write the names in English, I told him to put them in Russian. He seemed to be very pleased with the gift and repeated several times it was very important for them. I could not imagine in his place any other Russian singer who would patiently sign autographs and talk with his fans being awfully sick, after having sung for two hours on stage. They would not have crawled up to the stage in such condition leave alone all the rest.:) Comparing the way Vitas looked now and at the Beijing concert, I realized that I could express my feelings in just two words: POWER (speaking about Beijing) and FRAGILITY (speaking about Samara). Usually these two sides of his nature coexist in full harmony and that is what makes him so special, unlike the others. Yet in Beijing his "powerful" side prevailed while in Samara he was all frailty, looking so vulnerable, defenceless, prone to being injured, needing support. Seeing him like this leads to understanding what a precious gift to the world he is... and how much he gives to this world not leaving anything to himself... and how much he needs our love to support him through the times of hardship... I told him he should always remember that THE WORLD LOVES HIM. Hope he will. And hope he will never have a chance to doubt these words. (End) _________________________________ __ _ _________ 雖然現在她好端端的，{也許壓力大瘦了點}，我還是不感聽他使用鼻音唱槍過多的歌曲，最近的四首都盡量少聽，如果不想每天以淚喜面的話。 在(2011-03-30)的Tula Concert，鼻音就挺重，還有伏爾加演唱會十，說話聲音就有些殺雅，淡唱公並沒有受到任何影響，唱媽媽的比時，依舊感人置身，高音用的事丹田發生，有好幾次，感覺他痰卡在喉嚨，我就心疼的想：「咳出來惠舒服些！」宜便又一便，但他每每努力的忍著，堅強的設法做到最完美。我快要瘋了！有這樣虐嗓的嗎？ 結論：教主永遠是特別的，我希望它能保重自己的身體，沒事玩玩 SP 的 Ipad 寶石迷宮，不要轉一些影響健康的念頭。 多親親女兒Alla，多陪陪Sveta，多想想自己，多注意身體………………………，再多就寫不玩了。XD! 願神永遠看顧著無翼天使，{儘管較主才是我的神}。希望住再天堂的〈某女士〉賜福給兒子。[吼！不是說要去翻〈某女士〉的名子嗎，黃牛]。 莫尾，先大大的感激教主把幸福慷慨的送給了我，毫無保留。感謝父母親代我到這個世上，感謝他們照顧我直到今天，再來感謝我的音樂老師讓我認識了V，感謝我的朋友兔子………，以及其他……………！ 感謝南風，容忍我那麼多的錯漏字，耐心的予我解釋！ 感謝我家的電腦，五年來的心情勞動，最近更要隨時待命，幫我爬大陸牆。 感謝愛我的仁和我愛的人！以上，完畢。 |
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